There are a few extraneous numbers, but given that the show is a breezy 90 minutes, that can be forgiven.Set in the East Village of New York City in 1990, Rent is about falling in love, finding your voice and living for today. The setlist has a fun, poppy energy, which is broken up by piano ballads whenever things get too comfortable. Musically, one of Larson’s goals was to bring a modern rock-’n’-roll sensibility to Broadway-and tick, tick is a prime example. He leads with a vulnerability and weariness that grounds Jon, allowing his struggles to connect with anyone trying to figure out how to be a grown-up as they go. While the trio have a well-earned sense of camaraderie, it’s Weil who shines the brightest. The cast is limited to only three actors: Jesse Weil as Jon, Tyler Andrew Jones as his best friend Michael and Lauren Steele as his girlfriend Susan. While there’s dissonance between the scrappiness of Jon’s world and the professionalism of Portland Center Stage, the story, music and actors are enjoyable enough to get you over any bump in the road. The goal is apparently to capture the experience of seeing amateur theater works like Superbia, the ambitious sci-fi musical Jon is working on during the show. The set is mostly limited to a couch and some folding chairs, and the actors never leave the stage (they go off to the side to change costumes or wait for their next cue). Directed by Portland Center Stage artistic director Marissa Wolf, tick, tick is consciously staged like a nonprofessional show. If your only experience with tick, tick is Lin-Manuel Miranda’s 2021 film adaptation, you may be surprised to find the play is a different beast. It’s Jon’s quarter-life crisis, and we’re just along for the ride. Rent, however, positions itself as a definitive statement on Gen-X counterculture, whereas tick, tick benefits from having a smaller, more personal scope.

Rent and tick, tick are both about creative types attempting to fulfill their artistic ambitions amid the harsh realities of capitalism and the AIDS crisis. In real life, Larson reached that mountaintop in 1996 with the genre-redefining Rent, only to die of an aortic aneurysm at age 35 on the night before the show’s first preview. Tick, tick…BOOM!, the second musical by Jonathan Larson, is a semi-autobiographical look at the playwright’s struggles as a young artist, days away from his 30th birthday and not yet having achieved the Broadway stardom he hungers for. More importantly, it’s a story about the feeling of time being stolen-a theme that will resonate with anyone who’s survived the past few years. It’s fitting that Portland Center Stage chose to kick off its 35th season with tick, tick…BOOM!, a play about how people mark the milestones in their lives.

Tick tick.BOOM! (Shawnte Sims) By Morgan Shaunette Augat 5:10 pm PDT

Larson rent musical